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#soundengineering

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At the end of WWII, the Soviet Union shifted its censorship into high gear in order to minimize the corrupting influence of the West. The punishment for disseminating banned materials could be imprisonment in a gulag, or even death. But that didn’t stop the enterprising, innovative people of the former USSR. @TheConversationUS explains “bone music,” where recordings of Ella Fitzgerald and Elvis were etched into used X-ray film. “The music … suggested that a different sort of life is possible, beyond the strictures of Communist officials. How could a political system that prohibited beautiful music, many asked, possibly merit the allegiance of its citizens?”

flip.it/I_5dzs

The ConversationWhen Elvis and Ella were pressed onto X-rays – the subversive legacy of Soviet ‘bone music’The bizarre, homemade technology became a way to skirt censors in the Soviet Union – and even played an indirect role in its dissolution.
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Van Halen Bass man Anthony Precision Bass History 70 years Michaël Anthony

Band Snake 🐍 Metal San Gabriel Valley Mammoth with Van Halen
Mammoth Bassist had lost Bass man. So Anthony Bass man from Snake was asked to come in since he played fantastic with them. For Anthony it was launching pad into good music, giving great high pitched backing vocals

#Music #Audio #Bass #Guitar #SoundEngineering #Joyo #Pedal #VanHalen #Fender #Mustang #Michaël #Anthony #Snake

youtube.com/watch?v=GmH7SRhAiuU

Dear sound/audio folks and engineers,

I have a directory with 3.5GiB of audio files (chiefly opus & m4a) which are spoken word recordings.

Some of them are quite low, and some of them are quite dynamic such that it's a whisper at times and nearly a shout at other times.

I've processed a lot of them with #audacity's compressor filter or #ffmpeg (ffmpeg -i audio.m4a -filter:a "speechnorm=e=50:r=0.0001:l=1" audio-normalized.m4a), but there are some unprocessed files in the collection, which are a pain to individually find and fix.

Is there a way from the #CommandLine to detect the loudness and/or dynamic range of audio files so that I can automatically flag them for processing with ffmpeg?

Thanks!!

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I am going to link a long article here which I need to post on another Fediverse account

This post does not come from my brains; I've copied it over after I've seen that everything checks out as factual.
The post is from another Network

mastodon.bsd.cafe/@Dendrobatus

BSD.cafe Mastodon PortalDendrobatus Azureus (@Dendrobatus_Azureus@bsd.cafe)Bass Guitar Amplifier Adjustment Adjusting a bass guitar amplifier involves setting the EQ (equalization) and other controls to get the best tone for your style, venue, and preferences. Here’s a step-by-step guide to dialing in your bass amp settings: 1. Set Initial Controls Gain: Start with the gain at a low level. Increase it gradually until you hear distortion, then back off until the sound is clean. If you prefer a grittier tone, leave the gain slightly higher. Volume: Set the volume to a comfortable level. Adjust it based on your playing environment, such as practicing alone or playing with a band. 2. Adjust EQ (Bass, Mid, Treble) Bass: Controls the low-end frequencies. Increasing the bass can add warmth and depth. For a more defined sound, avoid cranking the bass too high, as it can make the sound muddy. Mids: Mids are essential for a clear and punchy tone, especially in a mix. Higher mids add clarity and presence; reducing them can create a scooped sound often used in slap bass. Treble: Controls the high-end frequencies. Increase it for more clarity and definition, or roll it back for a warmer sound. 3. Use Shape/Contour Controls (if available) Many bass amps have a "shape" or "contour" control that adjusts the mids for different tones. Experiment to see how these affect your sound, especially if you want a quick, scooped tone. 4. Experiment with Extra Features Compression: Some amps have a built-in compressor, which smooths out your dynamics and adds sustain. Start low, increasing only until it’s just noticeable. Drive or Overdrive: If you like a more aggressive, gritty tone, use the drive/overdrive knob to add subtle distortion. 5. Room Acoustics Adjusting your EQ based on the room’s acoustics is important, especially for live gigs. Rooms with a lot of bass resonance may require turning down the low-end or cutting certain frequencies. 6. Test and Fine-Tune Play different styles and techniques, like slap, fingerstyle, and pick, to see how your tone holds up. #Music #Audio #Bass #ShortScale #Behringer #Guitar #SoundEngineering #Joyo #Pedal
#Music#Audio#Bass
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It turns out that I can use the Behringer Bass overdrive pedal well ❤️‍🩹 when I want a slight amount of effect applied to the Bass signal. Make no mistake it is also achieved with any of the Joyo Overdrive pedals. The difference is that with the Behringer it takes longer before the effect is prominent.

#Music#Audio#Bass
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Has it been this long? I should have written down what I've done in between with my Bass Journey. I made contact with few people playing the styles that I like, in a musical jamming environment. These musicians are seasoned have been playing for 50 plus years and know their instruments. I've interacted with a Tenor Saxophone 🎷 player a trumpet player, and a bass player

#Music#Audio#Bass