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#musictech

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Genuine question here for Linux users and musicians, composers, guitar players etc. I am being told by several mouthy people online that "nobody uses linux" & "nobody would use linux for music making"

How many of you use or have used Linux as a vehicle for recording music?

Please retoot/repost to help get a handle on this, cheers!
#linux #music #musicmaking #DAW #ubuntu #debian #linuxmint #recording #homerecording #homestudio #guitar #piano #musictech #EDM #electronicmusic #metal #ableton

#CFP

Special Issue of Computer Music Journal

Spaces, Places, and Sonic Traces: Considerations in Computer Music

Exploring soundscape studies from musical, technical, social, ecological, and cultural perspectives. Topics include composition, performance, analysis, machine learning, and AI in soundscapes.

Submit to: thp@purdue.edu

I've been trying to figure out the Ardour DAW. Found a load of tutorials but they all look completely different to how my version looks.

I am completely baffled. Nothing seems laid out right to my eyes, and its borderline giving me a bleedin' migraine. I'm starting to see why so few use this, even though its essentially free to use on Linux etc.

Before BitTorrent and even before LimeWire took off, there was AudioGalaxy. It was the unsung hero of peer-to-peer music discovery in the early 2000s, offering remote searching, smart filtering, and community-curated playlists. The RIAA inevitably came knocking, but those who used it still remember it as one of the slickest, smartest sharing tools of its era.

Unlike Napster, AudioGalaxy leaned heavily on decentralized file sharing, letting users build enormous libraries across connected systems. It quietly shaped how future services would think about music discovery and sharing.

Hi folks! It’s time for me to find a new job. I’m excited about things like “making (or improving) your websites and web apps”, “collaborating on your developer relations strategy” and “building fun and engaging prototypes and demos”. I’m particularly interested in #civictech and #musictech. I live in rural NL, so remote is strongly preferred. I have about 10 YOE at some recognizable companies, and am excited about building strong positive teams #getfedihired

#AcademicJob

Come to work with us at #CzechAcademyOfSciences in #Prague

We're inviting Expressions of Interest for a Marie Skłodowska-Curie Postdoctoral Fellowship (MSCA-PF) to collaborate on a digital research database of Czech folk songs.

📅 Deadline: 31/05/2025

eu.avcr.cz/en/news/MSCA-PF-Exp

CC @academicjobs

www.eu.avcr.czMSCA-PF Expressions of Interest - The Institute of Ethnology CAS

#AcademicJob | #PhDStudentship

PhD Scholarship – The Townshend Studio

📍 University of West London

Full-fees PhD scholarship + stipend (£22,000 full-time / £11,000 part-time) for research on Pete Townshend’s electronic instrument collection. Open to UK & international students.

Deadline: 30/04/2025 (Intl) | 15/06/2025 (UK)

uwl.ac.uk/course/research/musi

CC @academicjobs

University of West LondonMusic | University of West LondonOur PhD in Music is supported by staff who are engaged in a range of specialisms that combine practice-led research and advanced professional practice with theoretical and technical analysis.