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Here's a video using audio analysis (via SP-Tools) to control a ciat-lonbarde Clicker:
youtube.com/watch?v=q_ECFimvxN

Darker/less-noisy sounds are triggering the lower “kick”-sounding voice, and brighter/noiser sounds are triggering the brighter “snare”-sounding voice.

Then my loudness and brightness (via spectral centroid) are controlling the CV inputs on the Clicker, changing the “pitch” and overall duration of the impulses heard.

Hello, I'm Orion, this is my Fediverse #introduction

I'm a musician from Nova Scotia, principally playing electric bass. Currently in my last year of study for undergrad music.

I am interested in contemporary #composition, #musicproduction, and performance, mainly in the realm of improvised music, new complexity, and jazz. #AbletonLive is my DAW of choice, dabbling in #MaxMSP and other software.

Other hobbies are #photography #ttrpg #linux #fountainpens #mma

Hi, I am a sound designer and engineer.

I like programming sounds with #pd, #maxmsp and hardware synths, DAW's, etc. But tools don't matter in the end as you probably know, aesthetics do -- and reverb algorithms. Do you know any?

I spent too much time with #linux and #haskell. I reaaaally don't like commercial ads. After all, is the internet post-modern?

My favorite emoticon is the smiling face with tear.

I toyed around with gabber:
susengchannel.bandcamp.com/alb

Turns out that Max MSP supports LUA, and even can evaluate expressions that users supply through text input fields. Nice! I used that feature to write a Max for Live plugin that filters MIDI notes (or generates them) based on user supplied expressions.

github.com/xot/XOT-MidiFilter

It can be used to shift notes, adjust note velocities, delay notes, create rhythmic patterns, process incoming chords as an arpeggiator, and much much more. #maxmsp #ableton #maxforlive

GitHubGitHub - xot/XOT-MidiFilter: Max for Live MIDI Filter effect.Max for Live MIDI Filter effect. Contribute to xot/XOT-MidiFilter development by creating an account on GitHub.

Well, my previous instance seems to have died while changing hosts, so let's do the intro thing again.

I'm a #composer and #performer of #experimentalmusic (I play #mandolin, #violin, #uke, #synths, and do interactive computer programming in #MaxMSP, #PureData, #SuperCollider, and #SonicPi). College prof in #MusicTech and #composition, where I get to teach #VideoGameMusic among other things. #Runner, #TTRPG fan, and #coffee aficionado, and I speak both #English and a decent amount of #French.

#introduction

Hello, my name is Simon. I make music and media art, usually in collaboration, by creating generative, interactive, or performance systems in #maxMSP

I'm also interested in enactive/embodied cognition, AI ethics and criticism, art as a cultural/community activity, origins of music, other-than-human creativity…

A settler, I grew up in a village in northern British Columbia, the unceded territories of the Wet'suwet'en, on the banks of the Wedzin Kwa.

I enjoy a good beer

Here is my #introduction !
I'm a composer who builds interactive technology to augment the performative ability of software, mostly for contexts that involve improvisation. I also collaborate often, with dance and video artists as well as other musicians.
This is a piece I made called Left Hand of Receiving, which functions a bit like a theremin but controls a #maxmsp patch:
youtube.com/watch?v=EY1Bv2aiy1

I recently created "Manifolds" for the Ina/GRM acousmonium. One of its nodes were some experimentations with tunings from sub-saharian Africa and the diaspora found in fragments of polyphony breaking down in that multichannel space.
Here's an interview and extract of the premiere at 104, Paris.

youtu.be/m_LP-9ImoMs​

#SoundStudies #algorithm #experimental #MaxMsp
#black #BlackMastodon #bipoc