Michal Husain, Vogue: “The lack of access [to Gaza] is a media strategy that has fundamentally affected reporting of Palestinian civilian life,” she says of Israel’s ban on journalists to the territory. “There is a humanitarian crisis that is ongoing, which covers thousands of children, women and civilian men who have not only been killed but maimed and bereaved in ways that you and I, anyone living a life in comfortable circumstances, can’t even imagine.”
“This is a media strategy,” she continues, “that has meant that the life of the Palestinian civilian is in no way covered in the same way as an Israeli civilian. And both deserve to have their stories told.”
British Vogue · Mishal Husain On Privilege, Prejudice, And Life After The BBC
Vogue Japan 
![This image captures a lively scene inside an Aspen night club during February of 1970. The atmosphere is vibrant with people dancing on a brightly lit dance floor, surrounded by bold red and yellow walls that contrast sharply against the dancers' colorful attire. Notably in this photograph are two individuals: Mary Duffy, identifiable as one of Vogue magazine's models due to her striking appearance and confident stance among other patrons; she dances energetically alongside a man wearing an orange suit who appears amused or perhaps charmed by her presence.
The image composition is dynamic yet balanced with the focus on both subjects at center stage. In contrast to their central position, various guests are seated in relaxed postures along the club's perimeter tables—engaged in conversation and enjoying drinks amidst this energetic setting. The lighting casts a warm glow across the entire scene while highlighting dancers' movements as they sway together.
The photograph serves not only as an artistic documentation of mid-1970s fashion but also provides insight into social trends, specifically those related to nightlife culture during that time period in Aspen. Through its vivid portrayal of this specific moment—captured through Frissell's lens—the image invites viewers on a journey back to the era when style and expression were celebrated in such public spaces.
The photograph is part of Toni Frissell’s extensive work fo [...]](https://mastodon.ozioso.online/system/media_attachments/files/113/704/777/047/323/059/original/fe0e42c5bbc55cda.jpeg "This image captures a lively scene inside an Aspen night club during February of 1970. The atmosphere is vibrant with people dancing on a brightly lit dance floor, surrounded by bold red and yellow walls that contrast sharply against the dancers' colorful attire. Notably in this photograph are two individuals: Mary Duffy, identifiable as one of Vogue magazine's models due to her striking appearance and confident stance among other patrons; she dances energetically alongside a man wearing an orange suit who appears amused or perhaps charmed by her presence.
The image composition is dynamic yet balanced with the focus on both subjects at center stage. In contrast to their central position, various guests are seated in relaxed postures along the club's perimeter tables—engaged in conversation and enjoying drinks amidst this energetic setting. The lighting casts a warm glow across the entire scene while highlighting dancers' movements as they sway together.
The photograph serves not only as an artistic documentation of mid-1970s fashion but also provides insight into social trends, specifically those related to nightlife culture during that time period in Aspen. Through its vivid portrayal of this specific moment—captured through Frissell's lens—the image invites viewers on a journey back to the era when style and expression were celebrated in such public spaces.
The photograph is part of Toni Frissell’s extensive work fo [...]")
