Halloween party at Shafter migrant camp, California
#Shafter #California #America #DorotheaLange #undefined #photography #DorotheaLange
![The black and white photograph captures a moment of social interaction at what appears to be an outdoor dance event. Two couples are engaged in the act of dancing; one pair is closely embraced, with the man leading by holding hands while turning his partner gently around him. The woman's posture suggests she might not be as comfortable or skilled compared to her male counterpart.
The couple behind them seems more casual and familiar with each other, possibly having a leisurely conversation rather than dancing. Their body language indicates ease in their surroundings and comfort among themselves.
In the background, there are several onlookers observing various activities around what could potentially be an open-air dance hall or community gathering spot. Some individuals appear to be children, as evidenced by one child being held aloft at a distance from the main action.
The attire of those dancing is indicative of mid-20th century fashion: men in suits and hats, women wearing dresses with stockings and high-heeled shoes. The dance floor seems informal, composed perhaps of dirt or packed earth typical for such community events during that era.
Overall, this image provides a glimpse into social customs from the early to mid 1940s at migrant camps like Shafter in California, showcasing communal gatherings where dancing was likely one popular form of entertainment. The presence of children hints at family-friendly enviro [...]](https://mastodon.ozioso.online/system/media_attachments/files/114/405/720/115/524/359/original/4fae5bcb4ef2677e.jpeg "The black and white photograph captures a moment of social interaction at what appears to be an outdoor dance event. Two couples are engaged in the act of dancing; one pair is closely embraced, with the man leading by holding hands while turning his partner gently around him. The woman's posture suggests she might not be as comfortable or skilled compared to her male counterpart.
The couple behind them seems more casual and familiar with each other, possibly having a leisurely conversation rather than dancing. Their body language indicates ease in their surroundings and comfort among themselves.
In the background, there are several onlookers observing various activities around what could potentially be an open-air dance hall or community gathering spot. Some individuals appear to be children, as evidenced by one child being held aloft at a distance from the main action.
The attire of those dancing is indicative of mid-20th century fashion: men in suits and hats, women wearing dresses with stockings and high-heeled shoes. The dance floor seems informal, composed perhaps of dirt or packed earth typical for such community events during that era.
Overall, this image provides a glimpse into social customs from the early to mid 1940s at migrant camps like Shafter in California, showcasing communal gatherings where dancing was likely one popular form of entertainment. The presence of children hints at family-friendly enviro [...]")
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Tired mothers and tired children at the end of the Halloween party at Shafter migrant camp, California
#Shafter #California #American #America #undefined #photography #DorotheaLange
![The image is a black and white photograph depicting an outdoor scene at what appears to be a public gathering or event. In the foreground, several women are seated on benches with children in their laps or nearby. One woman is tending to another child who has fallen asleep on one of the seats. The expressions range from concern among some mothers to tranquility and exhaustion amongst others.
The background shows more people sitting around a large gathering area, suggesting that this might be an outdoor fair or community event. Some individuals are engaged in conversation while others appear relaxed but tired.
The attire of the subjects suggests mid-20th-century American fashion with women wearing skirts and cardigans and children dressed in casual clothes like sweaters and jeans. The clothing style indicates a time period consistent with early to mid-1940s America, reflecting modest and practical choices for family outings or community gatherings.
The setting seems informal yet communal, perhaps at an event organized by the local migrant camp where people from different backgrounds come together. The presence of children sleeping on benches hints that this might be a long day's activity leading to fatigue among both adults and young ones alike.
This photograph captures a moment in time reflecting life within communities like those found during the Great Depression or World War II era, particularly with regard to migr [...]](https://mastodon.ozioso.online/system/media_attachments/files/114/405/197/086/271/831/original/a520e9a120b62b6e.jpeg "The image is a black and white photograph depicting an outdoor scene at what appears to be a public gathering or event. In the foreground, several women are seated on benches with children in their laps or nearby. One woman is tending to another child who has fallen asleep on one of the seats. The expressions range from concern among some mothers to tranquility and exhaustion amongst others.
The background shows more people sitting around a large gathering area, suggesting that this might be an outdoor fair or community event. Some individuals are engaged in conversation while others appear relaxed but tired.
The attire of the subjects suggests mid-20th-century American fashion with women wearing skirts and cardigans and children dressed in casual clothes like sweaters and jeans. The clothing style indicates a time period consistent with early to mid-1940s America, reflecting modest and practical choices for family outings or community gatherings.
The setting seems informal yet communal, perhaps at an event organized by the local migrant camp where people from different backgrounds come together. The presence of children sleeping on benches hints that this might be a long day's activity leading to fatigue among both adults and young ones alike.
This photograph captures a moment in time reflecting life within communities like those found during the Great Depression or World War II era, particularly with regard to migr [...]")
Children at Halloween party, waiting for signal to come for refreshments. Shafter migrant camp, California
Hungry boy at the Halloween party for migrant workers. Shafter migrant camp, California
![The image is a black and white photograph capturing an intimate moment at what appears to be a social gathering. In the center of the frame, a young boy with tousled hair sits on a wooden bench. He's dressed in light-colored clothing that seems worn but comfortable, indicative perhaps of laborer or migrant work attire. His focus is intently directed towards something outside of the camera’s view and he holds his chin thoughtfully.
His cheeks are flushed from what could be an active day at play or toil, and a bowl with food rests on the bench beside him, suggesting that it's mealtime. There's another boy seated next to him; only part of their bodies is visible as they lean in closer, perhaps sharing secrets or discussing something intriguing.
On one side stands a figure dressed in dark clothes, including a hat which obscures much detail about this person but gives an impression of anonymity and possibly oversight or supervision over the boys. Another adult figure can be seen on another bench behind them with their back to us; they wear clothing that suggests more formal attire compared to the children.
The backdrop is nondescript except for what could potentially be a fence made up of wooden slats, further emphasizing an outdoor setting and possibly hinting at the temporary nature associated with migrant camps. The mood captured here feels both candid and poignant—offering glimpses into everyday life within such commun [...]](https://mastodon.ozioso.online/system/media_attachments/files/114/400/663/421/730/101/original/dc96bb12042b6339.jpeg "The image is a black and white photograph capturing an intimate moment at what appears to be a social gathering. In the center of the frame, a young boy with tousled hair sits on a wooden bench. He's dressed in light-colored clothing that seems worn but comfortable, indicative perhaps of laborer or migrant work attire. His focus is intently directed towards something outside of the camera’s view and he holds his chin thoughtfully.
His cheeks are flushed from what could be an active day at play or toil, and a bowl with food rests on the bench beside him, suggesting that it's mealtime. There's another boy seated next to him; only part of their bodies is visible as they lean in closer, perhaps sharing secrets or discussing something intriguing.
On one side stands a figure dressed in dark clothes, including a hat which obscures much detail about this person but gives an impression of anonymity and possibly oversight or supervision over the boys. Another adult figure can be seen on another bench behind them with their back to us; they wear clothing that suggests more formal attire compared to the children.
The backdrop is nondescript except for what could potentially be a fence made up of wooden slats, further emphasizing an outdoor setting and possibly hinting at the temporary nature associated with migrant camps. The mood captured here feels both candid and poignant—offering glimpses into everyday life within such commun [...]")
"Power of the Lord" preaching by a "soldier" saved twelve years before, and with army ever since. Salvation Army, San Francisco, California
#SalvationArmy #SanFrancisco #California #TheSalvationArmy #undefined #photography #DorotheaLange
Salvation Army. San Francisco, California
#SalvationArmy #SanFrancisco #California #TheSalvationArmy #American #undefined #photography #DorotheaLange
Salvation Army, San Francisco, California. Men pause a moment to watch, and then pass on
#SalvationArmy #SanFrancisco #California #second #undefined #photography #DorotheaLange
Salvation Army, San Francisco, California. Return of the army seen through the lobby of a low-class hotel. Causes slight attention
#SalvationArmy #SanFrancisco #California #undefined #photography #DorotheaLange
Salvation Army, San Francisco, California. Unemployed young men pause a moment to loiter and watch, and then pass on
#SalvationArmy #SanFrancisco #California #America #theGreatDepression #undefined #photography #DorotheaLange
![The image is a black-and-white photograph depicting several individuals gathered in an urban setting. The group consists of men, with one standing prominently on the left side wearing a dark suit and hat, while two others are conversing closely at center stage; both also dressed formally but without hats. One man leans against a wooden plank, smoking or contemplating something, evidenced by his hand near his face in a thoughtful gesture.
Behind them is a street filled with pedestrians and vehicles indicative of an earlier era, likely mid-20th century based on the fashion styles and automobile design visible. Various storefronts line the sidewalk including signs for businesses like "HONEY LOAN" indicating financial services available at that time, as well as establishments such as cafes.
The architecture suggests a downtown area with multi-story buildings featuring commercial signage in bold lettering above their entrances. Some of these are illuminated by electric lights which were not common earlier than late 19th century or early 20th-century America. The photograph exudes an atmosphere reflective of urban life during the Great Depression era, capturing both social interaction and economic struggle within a bustling cityscape.
This image was taken in San Francisco, California according to provided information linked via alt text which also references "Salvation Army" indicating possible charitable or community invol [...]](https://mastodon.ozioso.online/system/media_attachments/files/114/391/328/318/542/657/original/f1e2a5e2d4c88284.jpeg "The image is a black-and-white photograph depicting several individuals gathered in an urban setting. The group consists of men, with one standing prominently on the left side wearing a dark suit and hat, while two others are conversing closely at center stage; both also dressed formally but without hats. One man leans against a wooden plank, smoking or contemplating something, evidenced by his hand near his face in a thoughtful gesture.
Behind them is a street filled with pedestrians and vehicles indicative of an earlier era, likely mid-20th century based on the fashion styles and automobile design visible. Various storefronts line the sidewalk including signs for businesses like \"HONEY LOAN\" indicating financial services available at that time, as well as establishments such as cafes.
The architecture suggests a downtown area with multi-story buildings featuring commercial signage in bold lettering above their entrances. Some of these are illuminated by electric lights which were not common earlier than late 19th century or early 20th-century America. The photograph exudes an atmosphere reflective of urban life during the Great Depression era, capturing both social interaction and economic struggle within a bustling cityscape.
This image was taken in San Francisco, California according to provided information linked via alt text which also references \"Salvation Army\" indicating possible charitable or community invol [...]")
Salvation Army, San Francisco, California. General view of army and crowds
#SalvationArmy #SanFrancisco #California #theSalvationArmy #undefined #photography #DorotheaLange
![The image is a black-and-white photograph depicting an urban street scene. It appears to be taken during the day, with sunlight casting shadows on the buildings and people below.
In the foreground, there are several individuals walking down the middle of the street in both directions. The group consists mainly of men wearing suits, hats, and coats indicative of early 20th-century fashion. Some women can also be seen among them, dressed in long skirts, blouses, and cloaks or coats.
On either side of the street are buildings with various signs indicating businesses such as "Max's," a shop for men; a theater named after the Salvation Army; and other establishments like cafes, saloons, and specialty shops. The architecture suggests an older cityscape with multi-story brick buildings featuring large windows and fire escapes on the exterior walls.
A few individuals stand or walk near what seems to be construction barriers labeled "DANGER STR." This could indicate some sort of street work being carried out at that time. A musician is visible, holding a drumstick in one hand while walking down the street, possibly leading a marching band as part of an event occurring off-camera.
The atmosphere suggests a bustling city life with people going about their daily activities, potentially during or after a public gathering associated with the Salvation Army mentioned on signage and banners. The overall mood is lively yet orderly, c [...]](https://mastodon.ozioso.online/system/media_attachments/files/114/390/805/418/505/048/original/9539d44a864fc485.jpeg "The image is a black-and-white photograph depicting an urban street scene. It appears to be taken during the day, with sunlight casting shadows on the buildings and people below.
In the foreground, there are several individuals walking down the middle of the street in both directions. The group consists mainly of men wearing suits, hats, and coats indicative of early 20th-century fashion. Some women can also be seen among them, dressed in long skirts, blouses, and cloaks or coats.
On either side of the street are buildings with various signs indicating businesses such as \"Max's,\" a shop for men; a theater named after the Salvation Army; and other establishments like cafes, saloons, and specialty shops. The architecture suggests an older cityscape with multi-story brick buildings featuring large windows and fire escapes on the exterior walls.
A few individuals stand or walk near what seems to be construction barriers labeled \"DANGER STR.\" This could indicate some sort of street work being carried out at that time. A musician is visible, holding a drumstick in one hand while walking down the street, possibly leading a marching band as part of an event occurring off-camera.
The atmosphere suggests a bustling city life with people going about their daily activities, potentially during or after a public gathering associated with the Salvation Army mentioned on signage and banners. The overall mood is lively yet orderly, c [...]")
Salvation Army, San Francisco, California. Army contributes first to the tambourine (two dollars), outside contribution about seventy-five cents, all from drunks and the like
#SalvationArmy #SanFrancisco #California #first #America #undefined #photography #DorotheaLange
Hop picker, once Nebraska farm owner. Near Independence, Polk County, Oregon. See general caption number 45
#Nebraska #Independence #PolkCounty #Oregon #America #DorotheaLanges #DorotheaLange #American #undefined #photography #DorotheaLange
![The image is a black and white photograph featuring an older man standing outdoors under a clear sky. He appears to be in his late 50s or early 60s with visible signs of aging such as wrinkles on his face, sun-weathered skin, and receding hairline. His expression is neutral but attentive.
He wears a light-colored sweater over what seems to be work clothes - specifically, dark denim overalls that are typical for farming or manual labor occupations during the early 20th century in America. The overall's pockets have flaps with buttons, one of which appears partially visible on his right chest pocket. There is also a small buttoned patch on the left shoulder strap.
The background consists of an open sky and what could be part of agricultural equipment or structures to the far right side, suggesting that this photo was taken in a rural setting possibly related to farming activities during Dorothea Lange's time as documented by her photography archive. The man is looking slightly off-camera with his head tilted upwards, giving him a contemplative expression.
The image has text overlay on the left and right edges which reads "1942-08" indicating that it may have been taken around August 1942 during Dorothea Lange's assignment in Nebraska. The caption provided suggests this individual was once a farm owner near Independence, Polk County, Oregon.
This photograph is part of the collection at the International Center of Photog [...]](https://mastodon.ozioso.online/system/media_attachments/files/114/381/706/408/553/089/original/68729c9574d3da84.jpeg "The image is a black and white photograph featuring an older man standing outdoors under a clear sky. He appears to be in his late 50s or early 60s with visible signs of aging such as wrinkles on his face, sun-weathered skin, and receding hairline. His expression is neutral but attentive.
He wears a light-colored sweater over what seems to be work clothes - specifically, dark denim overalls that are typical for farming or manual labor occupations during the early 20th century in America. The overall's pockets have flaps with buttons, one of which appears partially visible on his right chest pocket. There is also a small buttoned patch on the left shoulder strap.
The background consists of an open sky and what could be part of agricultural equipment or structures to the far right side, suggesting that this photo was taken in a rural setting possibly related to farming activities during Dorothea Lange's time as documented by her photography archive. The man is looking slightly off-camera with his head tilted upwards, giving him a contemplative expression.
The image has text overlay on the left and right edges which reads \"1942-08\" indicating that it may have been taken around August 1942 during Dorothea Lange's assignment in Nebraska. The caption provided suggests this individual was once a farm owner near Independence, Polk County, Oregon.
This photograph is part of the collection at the International Center of Photog [...]")
Family of rural rehabilitation client. Tulare County, California
#TulareCounty #California #undefined #photography #DorotheaLange
Delta cooperative farm. Hillhouse, Mississippi. Clarence Weems, a young co-operator on the farm. He remembers the evictions in Arkansas, for his father was beaten and disappeared
#Delta #Hillhouse #Mississippi #ClarenceWeems #Arkansas #AfricanAmerican #DorotheaLange #undefined #photography #DorotheaLange
![This black and white photograph depicts a young African American male, likely in his late teens or early twenties. He appears to be wearing a light-colored button-up shirt with the top few buttons undone at the collar, giving off an informal look. His hair is short-cropped, closely shaved on the sides but slightly longer on the top. The boy's expression is serious and contemplative as he gazes directly into the camera lens.
The background of the photograph is plain and dark, providing a stark contrast to his lighter skin tone and clothing. There are no discernible objects or features in the backdrop that provide context for the setting where this photo was taken. This image seems reminiscent of works by photographers like Dorothea Lange during her time documenting various social conditions.
Additional information about this photograph can be found through a reference provided: "Delta cooperative farm, Hillhouse, Mississippi," indicating its historical significance as part of agricultural developments or cooperatives in that region during the early 20th century. The name Clarence Weems suggests he was photographed by Dorothea Lange for her project on co-ops and possibly related to evictions from Arkansas due to his father's experiences with beatings and disappearances, highlighting socio-economic challenges faced by African American communities at that time.
The image is part of a collection titled "Dorothea Lange full," [...]](https://mastodon.ozioso.online/system/media_attachments/files/114/373/448/909/544/428/original/93933696d2586911.jpeg "This black and white photograph depicts a young African American male, likely in his late teens or early twenties. He appears to be wearing a light-colored button-up shirt with the top few buttons undone at the collar, giving off an informal look. His hair is short-cropped, closely shaved on the sides but slightly longer on the top. The boy's expression is serious and contemplative as he gazes directly into the camera lens.
The background of the photograph is plain and dark, providing a stark contrast to his lighter skin tone and clothing. There are no discernible objects or features in the backdrop that provide context for the setting where this photo was taken. This image seems reminiscent of works by photographers like Dorothea Lange during her time documenting various social conditions.
Additional information about this photograph can be found through a reference provided: \"Delta cooperative farm, Hillhouse, Mississippi,\" indicating its historical significance as part of agricultural developments or cooperatives in that region during the early 20th century. The name Clarence Weems suggests he was photographed by Dorothea Lange for her project on co-ops and possibly related to evictions from Arkansas due to his father's experiences with beatings and disappearances, highlighting socio-economic challenges faced by African American communities at that time.
The image is part of a collection titled \"Dorothea Lange full,\" [...]")
This man was a tenant on the same farm for eighteen years. He has six children. This year he was forced into status of day laborer on the same farm. The farm owner employed twenty-three tenant families last year. This year, the same acreage, using tractors, requires seven families. Ellis County, Texas
#EllisCounty #Texas #AfricanAmerican #undefined #photography #DorotheaLange
Sharecropper's wife and her youngest child. Near Cleveland, Mississippi
#Cleveland #Mississippi #undefined #photography #DorotheaLange
Member of the Delta cooperative farm. Hillhouse, Mississippi
#Delta #Hillhouse #Mississippi #American #DorotheaLanges #undefined #photography #DorotheaLange
![The photograph is a black and white image depicting two men seated on the ground, likely within an outdoor setting such as a camp. The man in the foreground wears a wide-brimmed hat with sunglasses atop it, indicating possible sun exposure or glare from sunlight. He dons casual attire consisting of layered shirts—denim over wool—and jeans, along with dark shoes showing signs of wear.
The seated men appear contemplative or possibly fatigued; their relaxed posture and downcast gazes suggest a momentary respite amidst daily laborious activities typical to migrant workers during the era. The setting's simplicity—the absence of luxury items—alongside their modest clothing points towards economic hardship, aligning with historical accounts of migratory work conditions.
The background is minimally detailed but includes what appears to be part of an awning or tent-like structure on right and a partial view of another individual in the far distance. The overall composition underscores themes prevalent during the Great Depression era concerning rural laborers' living circumstances, mobility, economic dependence, and social isolation within their transient community.
The image's historical context is further enriched by its accompanying information indicating that it was taken at "Migrant worker in camp" with a specified location of California—specifically identified as Yuma. The photograph captures the essence of migrant life d [...]](https://mastodon.ozioso.online/system/media_attachments/files/114/369/438/100/093/569/original/eb2160add1f9832c.jpeg "The photograph is a black and white image depicting two men seated on the ground, likely within an outdoor setting such as a camp. The man in the foreground wears a wide-brimmed hat with sunglasses atop it, indicating possible sun exposure or glare from sunlight. He dons casual attire consisting of layered shirts—denim over wool—and jeans, along with dark shoes showing signs of wear.
The seated men appear contemplative or possibly fatigued; their relaxed posture and downcast gazes suggest a momentary respite amidst daily laborious activities typical to migrant workers during the era. The setting's simplicity—the absence of luxury items—alongside their modest clothing points towards economic hardship, aligning with historical accounts of migratory work conditions.
The background is minimally detailed but includes what appears to be part of an awning or tent-like structure on right and a partial view of another individual in the far distance. The overall composition underscores themes prevalent during the Great Depression era concerning rural laborers' living circumstances, mobility, economic dependence, and social isolation within their transient community.
The image's historical context is further enriched by its accompanying information indicating that it was taken at \"Migrant worker in camp\" with a specified location of California—specifically identified as Yuma. The photograph captures the essence of migrant life d [...]")
Mexican girl who picks peas for the eastern market. Imperial Valley, California
#Mexican #ImperialValley #California #INZINI-E #undefined #photography #DorotheaLange
Sharecropper wife and mother of seven children. Near Chesnee, South Carolina
#Chesnee #SouthCarolina #America #9-1438 #SouthernAmerica #undefined #photography #DorotheaLange
![The image is a black-and-white photograph featuring four individuals on the porch of what appears to be an old wooden house. On the left, two young boys sit on steps; one wears a cap and has his arm resting along the railing, while the other sits with hands clasped together in contemplation or concern.
In the center foreground, seated comfortably on a chair is a woman dressed in a patterned dress with short sleeves and her right hand thoughtfully placed under her chin. She seems to be deep in reflection or perhaps waiting for something or someone. Beside her stands an older individual wearing a light-colored apron over casual attire; their posture suggests attentiveness, possibly engaged in listening.
The house's porch is adorned with various objects including a bucket on the rightmost edge and what looks like jars and containers near the standing woman. The photograph carries a historical feel, likely from mid-20th century America given its quality and composition. There are no discernible colors due to it being black-and-white; however, contrasts between light tones in clothing against darker wooden porch surfaces create depth.
The timestamp on the photo indicates "9 - 1438", but without additional context or a direct correlation with known historical events, this date's significance is unclear. A handwritten note at the bottom left corner of the image reads 'Sharecropper wife and mother of seven children', indicati [...]](https://mastodon.ozioso.online/system/media_attachments/files/114/367/869/164/019/511/original/37b2aca7ffe5d258.jpeg "The image is a black-and-white photograph featuring four individuals on the porch of what appears to be an old wooden house. On the left, two young boys sit on steps; one wears a cap and has his arm resting along the railing, while the other sits with hands clasped together in contemplation or concern.
In the center foreground, seated comfortably on a chair is a woman dressed in a patterned dress with short sleeves and her right hand thoughtfully placed under her chin. She seems to be deep in reflection or perhaps waiting for something or someone. Beside her stands an older individual wearing a light-colored apron over casual attire; their posture suggests attentiveness, possibly engaged in listening.
The house's porch is adorned with various objects including a bucket on the rightmost edge and what looks like jars and containers near the standing woman. The photograph carries a historical feel, likely from mid-20th century America given its quality and composition. There are no discernible colors due to it being black-and-white; however, contrasts between light tones in clothing against darker wooden porch surfaces create depth.
The timestamp on the photo indicates \"9 - 1438\", but without additional context or a direct correlation with known historical events, this date's significance is unclear. A handwritten note at the bottom left corner of the image reads 'Sharecropper wife and mother of seven children', indicati [...]")