[08:08] Third country nationals from Ukraine lose residency rights in NL
The Netherlands may stop providing accommodation to third country nationals who were living in Ukraine before the Russian invasion, the...
https://www.dutchnews.nl/2025/04/third-country-nationals-from-ukraine-lose-residency-rights-in-nl/
#Netherlands #third #Ukraine #Russian
DutchNews.nl · Third country nationals from Ukraine lose residency rights in NL - DutchNews.nlThe Netherlands may stop providing accommodation to third country nationals who were living in Ukraine before the Russian invasion, the Council of State said on Wednesday, upholding an earlier opinion by the European Court of Justice’s advocate general. Some 2,500 third country nationals – often students, workers or people married to Ukrainians – came to the Netherlands, but a mishmash of conflicting legal decisions has led to confusion about their right to stay. The foreign students and workers who were...
![The image depicts an old-fashioned urban setting, likely from the early to mid-20th century. The prominent feature is a row of classic automobiles parked along what seems to be a street in front of commercial buildings. There are at least four cars visible: two sedans and two trucks, all with rounded body shapes indicative of models produced during that era.
The first car on the left appears worn out, with its wheels exposed due to missing hubcaps or tires, suggesting it might not be in regular use or could have been involved in some form of mechanical failure. The second vehicle is a sedan directly behind the first one; this car shows signs of rust and age but retains most of its body panels.
The third automobile from the left appears somewhat better maintained compared to the others with visible wheels, though it's still quite old-fashioned by today's standards. It has distinctive side mirrors attached at an angle—a design characteristic of certain vintage models.
Finally, there is a sedan on the far right; this vehicle seems relatively well-preserved and might be in working condition. Its headlights are intact, as opposed to many other vehicles that have missing or broken lamps.
The buildings lining the street include a storefront with "SAFEWAY" signage above its entrance—a company known for grocery stores established during World War II—and another establishment featuring an advertisement for Coca-Cola's popular [...]](https://mastodon.ozioso.online/system/media_attachments/files/114/174/745/164/274/645/original/79da1e488a3b73b2.jpeg "The image depicts an old-fashioned urban setting, likely from the early to mid-20th century. The prominent feature is a row of classic automobiles parked along what seems to be a street in front of commercial buildings. There are at least four cars visible: two sedans and two trucks, all with rounded body shapes indicative of models produced during that era.
The first car on the left appears worn out, with its wheels exposed due to missing hubcaps or tires, suggesting it might not be in regular use or could have been involved in some form of mechanical failure. The second vehicle is a sedan directly behind the first one; this car shows signs of rust and age but retains most of its body panels.
The third automobile from the left appears somewhat better maintained compared to the others with visible wheels, though it's still quite old-fashioned by today's standards. It has distinctive side mirrors attached at an angle—a design characteristic of certain vintage models.
Finally, there is a sedan on the far right; this vehicle seems relatively well-preserved and might be in working condition. Its headlights are intact, as opposed to many other vehicles that have missing or broken lamps.
The buildings lining the street include a storefront with \"SAFEWAY\" signage above its entrance—a company known for grocery stores established during World War II—and another establishment featuring an advertisement for Coca-Cola's popular [...]")
![The image is a black and white photograph depicting two young boys standing side by side, each holding several small puppies. The boy on the left has short blonde hair and appears to be smiling as he holds three puppies; one in his right hand with its eyes closed or shut tight, another held close to his chest, and a third clutched securely in both arms. His clothing looks casual and slightly disheveled.
The boy on the right is balding at a young age, has short stubble around his jawline, and sports a neutral expression while holding two puppies; one with its eyes open looking towards the camera, and another tucked into his armpit without visible engagement. He's wearing what appears to be an old-fashioned button-up shirt.
In the background, there is part of a woman on the right side of the frame partially cropped out by the photo border, showing only her torso clad in floral-patterned clothing with puffed sleeves. To their left, another figure can barely be seen at the edge of the picture wearing dark attire and possibly holding something or someone not clearly visible due to limited perspective.
The overall setting seems informal, perhaps indicative of a casual moment captured outdoors during an event or gathering where pets are present. The photograph's context is suggested by the caption as related to migrant children living in government camps for cotton pickers like Shafter Camp in California, potentially part of [...]](https://mastodon.ozioso.online/system/media_attachments/files/114/122/183/829/816/848/original/7c843377fab1b75b.jpeg "The image is a black and white photograph depicting two young boys standing side by side, each holding several small puppies. The boy on the left has short blonde hair and appears to be smiling as he holds three puppies; one in his right hand with its eyes closed or shut tight, another held close to his chest, and a third clutched securely in both arms. His clothing looks casual and slightly disheveled.
The boy on the right is balding at a young age, has short stubble around his jawline, and sports a neutral expression while holding two puppies; one with its eyes open looking towards the camera, and another tucked into his armpit without visible engagement. He's wearing what appears to be an old-fashioned button-up shirt.
In the background, there is part of a woman on the right side of the frame partially cropped out by the photo border, showing only her torso clad in floral-patterned clothing with puffed sleeves. To their left, another figure can barely be seen at the edge of the picture wearing dark attire and possibly holding something or someone not clearly visible due to limited perspective.
The overall setting seems informal, perhaps indicative of a casual moment captured outdoors during an event or gathering where pets are present. The photograph's context is suggested by the caption as related to migrant children living in government camps for cotton pickers like Shafter Camp in California, potentially part of [...]")
![The image depicts a scene inside what appears to be an old radio or television studio. Several individuals are engaged in various activities, suggesting they might be involved in the production of audio-visual content.
In the foreground on the right side, there's a person seated at a desk with multiple reel-to-reel tape recorders and other equipment typically used for recording sound during live broadcasts. This individual is wearing glasses and appears to be focused on something outside the frame, possibly monitoring an incoming feed or preparing to start a broadcast.
To the left of this central figure are three more people: one standing by a microphone stand with their hand raised as if speaking into it; another seated at what looks like a mixing console filled with knobs, sliders, and other controls for audio management, attentively looking towards the person speaking on the mic; and a third individual standing near an open door in the background.
The setting includes various studio equipment such as monitors, sound mixers, VHS tapes stacked on shelves beside one of the machines, speakers mounted on walls, and what seems to be part of a control room with another monitor visible. The overall atmosphere suggests a moment captured during preparations or live transmission within this media production environment.
The image is in black and white, giving it a timeless quality that could indicate its origin from an earli [...]](https://mastodon.ozioso.online/system/media_attachments/files/113/971/106/147/123/660/original/de8575ad91b3f3c9.jpeg "The image depicts a scene inside what appears to be an old radio or television studio. Several individuals are engaged in various activities, suggesting they might be involved in the production of audio-visual content.
In the foreground on the right side, there's a person seated at a desk with multiple reel-to-reel tape recorders and other equipment typically used for recording sound during live broadcasts. This individual is wearing glasses and appears to be focused on something outside the frame, possibly monitoring an incoming feed or preparing to start a broadcast.
To the left of this central figure are three more people: one standing by a microphone stand with their hand raised as if speaking into it; another seated at what looks like a mixing console filled with knobs, sliders, and other controls for audio management, attentively looking towards the person speaking on the mic; and a third individual standing near an open door in the background.
The setting includes various studio equipment such as monitors, sound mixers, VHS tapes stacked on shelves beside one of the machines, speakers mounted on walls, and what seems to be part of a control room with another monitor visible. The overall atmosphere suggests a moment captured during preparations or live transmission within this media production environment.
The image is in black and white, giving it a timeless quality that could indicate its origin from an earli [...]")
![The image is a black and white photograph depicting three men in an outdoor industrial setting, likely from the early to mid-20th century. Two of them are standing behind stacks of wooden crates labeled with various types of produce such as "Cherry Plums" or "Cantaloupe." The man on the left stands confidently with his arms crossed and wears a hat and work attire typical for manual laborers at that time, including jeans and a long-sleeved shirt. He appears to be in charge or overseeing operations.
The central figure is seated on a wooden crate wearing similar clothing: jeans, shoes, gloves, boots, belt, and wide-brimmed fedora-style cap with a chin strap (a common workwear style). His posture suggests fatigue but also contemplation; he's resting his head against the crate in what seems like an informal pose.
The third man on the right is standing behind the crates. He stands next to two metal barrels, one of which contains some produce and another appears empty or not well-maintained. This individual has a more relaxed stance with arms by his side while wearing a hat that obscures part of his face but seems less formal compared to the other workers.
The setting includes various industrial elements like corrugated iron walls in the background, metal containers on wheels for transporting goods, and an overall atmosphere indicative of warehouse or storage area. The crates are stacked haphazardly suggesting they're being [...]](https://mastodon.ozioso.online/system/media_attachments/files/113/944/139/553/198/341/original/953110dae6809ebe.jpeg "The image is a black and white photograph depicting three men in an outdoor industrial setting, likely from the early to mid-20th century. Two of them are standing behind stacks of wooden crates labeled with various types of produce such as \"Cherry Plums\" or \"Cantaloupe.\" The man on the left stands confidently with his arms crossed and wears a hat and work attire typical for manual laborers at that time, including jeans and a long-sleeved shirt. He appears to be in charge or overseeing operations.
The central figure is seated on a wooden crate wearing similar clothing: jeans, shoes, gloves, boots, belt, and wide-brimmed fedora-style cap with a chin strap (a common workwear style). His posture suggests fatigue but also contemplation; he's resting his head against the crate in what seems like an informal pose.
The third man on the right is standing behind the crates. He stands next to two metal barrels, one of which contains some produce and another appears empty or not well-maintained. This individual has a more relaxed stance with arms by his side while wearing a hat that obscures part of his face but seems less formal compared to the other workers.
The setting includes various industrial elements like corrugated iron walls in the background, metal containers on wheels for transporting goods, and an overall atmosphere indicative of warehouse or storage area. The crates are stacked haphazardly suggesting they're being [...]")