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#digitalarthistory

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Harald Klinke<p>How reproducible is research in digital art history?<br>Béatrice Joyeux-Prunel argues for a post-computational framework that complements FAIR data with ethics, expertise &amp; interpretive validation.<br><a href="https://link.springer.com/article/10.1007/s42803-023-00079-6" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">link.springer.com/article/10.1</span><span class="invisible">007/s42803-023-00079-6</span></a><br><a href="https://det.social/tags/DigitalHumanities" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>DigitalHumanities</span></a> <a href="https://det.social/tags/Reproducibility" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Reproducibility</span></a> <a href="https://det.social/tags/FAIREST" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>FAIREST</span></a> <a href="https://det.social/tags/DigitalArtHistory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>DigitalArtHistory</span></a> <a href="https://det.social/tags/OpenScience" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>OpenScience</span></a></p>
Harald Klinke<p>Learn how to explore museum collections, image datasets &amp; cultural networks using R—no prior coding needed.<br>Democratizing data in the humanities, one line of code at a time.</p><p><a href="https://det.social/tags/DigitalHumanities" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>DigitalHumanities</span></a> <a href="https://det.social/tags/DataScience" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>DataScience</span></a> <a href="https://det.social/tags/ArtHistory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ArtHistory</span></a> <a href="https://det.social/tags/RStats" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>RStats</span></a> <a href="https://det.social/tags/DigitalArtHistory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>DigitalArtHistory</span></a></p><p>📖Read: <a href="https://link.springer.com/content/pdf/bfm:978-3-031-88130-5/1" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">link.springer.com/content/pdf/</span><span class="invisible">bfm:978-3-031-88130-5/1</span></a></p>
Harald Klinke<p>New CFP: What Do (Digital) Images Want? Join us in exploring a decade of data, power &amp; visual knowledge! <br><a href="https://det.social/tags/DigitalArtHistory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>DigitalArtHistory</span></a> <a href="https://det.social/tags/AI" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>AI</span></a> <a href="https://det.social/tags/VisualCulture" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>VisualCulture</span></a> <a href="https://det.social/tags/CFP" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>CFP</span></a> <a href="https://det.social/tags/DH" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>DH</span></a> <a href="https://det.social/tags/ArtHistory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ArtHistory</span></a><br><a href="https://dahj.org/cfp/11" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="">dahj.org/cfp/11</span><span class="invisible"></span></a></p>
Harald Klinke<p>We celebrate 10 years of International Journal for Digital Art History (DAHJ)—connecting global voices &amp; reshaping art history through digital methods, collaboration &amp; critical debate. <a class="hashtag" href="https://bsky.app/search?q=%23DigitalArtHistory" rel="nofollow noopener noreferrer" target="_blank">#DigitalArtHistory</a> <a class="hashtag" href="https://bsky.app/search?q=%23DigitalHumanities" rel="nofollow noopener noreferrer" target="_blank">#DigitalHumanities</a> <a class="hashtag" href="https://bsky.app/search?q=%23ArtHistory" rel="nofollow noopener noreferrer" target="_blank">#ArtHistory</a></p>
Harald Klinke<p>We celebrate 10 years of International Journal for Digital Art History (DAHJ)—connecting global voices &amp; reshaping art history through digital methods, collaboration &amp; critical debate. </p><p><a href="https://det.social/tags/DigitalArtHistory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>DigitalArtHistory</span></a> <a href="https://det.social/tags/AI" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>AI</span></a> <a href="https://det.social/tags/VisualCulture" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>VisualCulture</span></a> <a href="https://det.social/tags/CFP" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>CFP</span></a> <a href="https://det.social/tags/DigitalHumanities" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>DigitalHumanities</span></a> <a href="https://det.social/tags/ArtHistory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ArtHistory</span></a></p>
Harald Klinke<p>This summer semester, I will be giving a lecture at the LMU Munich again: "Digital Art History. An introduction". <br>I'm looking forward to exciting discussions! <br><a href="https://det.social/tags/DigitalArtHistory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>DigitalArtHistory</span></a> <a href="https://det.social/tags/ArtHistory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ArtHistory</span></a> <a href="https://det.social/tags/DigitalHumanities" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>DigitalHumanities</span></a> <a href="https://det.social/tags/LMU" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>LMU</span></a></p><p><a href="https://www.harald-klinke.de/lehrveranstaltungen/vorlesung-einfhrung-in-die-digitale-kunstgeschichte" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://www.</span><span class="ellipsis">harald-klinke.de/lehrveranstal</span><span class="invisible">tungen/vorlesung-einfhrung-in-die-digitale-kunstgeschichte</span></a></p>
Harald Klinke<p>New article explores the work of Nestoras Papanikolopoulos, a pioneer of digital art in Greece since 1984. A vital step in recognizing early computer-based art and its marginalization in official discourse.<br><a href="https://dahj.org/article/nestoras-papanikolopoulos" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">dahj.org/article/nestoras-papa</span><span class="invisible">nikolopoulos</span></a><br><a href="https://det.social/tags/DigitalArt" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>DigitalArt</span></a> <a href="https://det.social/tags/MediaArt" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>MediaArt</span></a> <a href="https://det.social/tags/ComputerArt" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ComputerArt</span></a> <a href="https://det.social/tags/ArtHistory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ArtHistory</span></a> <a href="https://det.social/tags/GreekArt" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>GreekArt</span></a> <a href="https://det.social/tags/DigitalHeritage" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>DigitalHeritage</span></a> <a href="https://det.social/tags/DigitalHumanities" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>DigitalHumanities</span></a> <a href="https://det.social/tags/ComputerVision" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ComputerVision</span></a> <a href="https://det.social/tags/DigitalArtHistory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>DigitalArtHistory</span></a></p>
Harald Klinke<p>Zombie Canon: The Impact of AI on Art History and Museum Collections<br>April 1 | 12:00 p.m. | Zoom<br>Guest Artist &amp; Scholar Lecture Series: Amanda Wasielewski<br><a href="https://det.social/tags/DigitalArtHistory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>DigitalArtHistory</span></a> <a href="https://det.social/tags/GenerativeAI" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>GenerativeAI</span></a> <a href="https://det.social/tags/OpenAccess" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>OpenAccess</span></a> <a href="https://det.social/tags/DigitalHeritage" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>DigitalHeritage</span></a> <a href="https://det.social/tags/CulturalHeritage" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>CulturalHeritage</span></a> <a href="https://det.social/tags/ArtHistory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ArtHistory</span></a> <a href="https://det.social/tags/ResponsibleAI" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ResponsibleAI</span></a> <a href="https://det.social/tags/DigitalHumanities" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>DigitalHumanities</span></a> <a href="https://det.social/tags/MuseTech" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>MuseTech</span></a> <br><a href="https://asuevents.asu.edu/event/guest-artist-scholar-lecture-series-amanda-wasielewski" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">asuevents.asu.edu/event/guest-</span><span class="invisible">artist-scholar-lecture-series-amanda-wasielewski</span></a></p>
Nullmuseum<p>Bald ist mein Buch fertig...</p><p>Kapitel 1 zur Transformation von Museen und zur parallelen Digitalisierung der Museen. Fallstudie SMB-digital 1990-2011</p><p>Kap. 2 zu Museen und Plattformkapitalismus</p><p>Kap. 3 zu semantischen Netzwerken (z.B. Auseinandersetzung mit Netzwerkvisualisierungen, 🢂Screenshot)</p><p><a href="https://hcommons.social/tags/museum" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>museum</span></a> <a href="https://hcommons.social/tags/openglam" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>openglam</span></a> <a href="https://hcommons.social/tags/glam" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>glam</span></a> <a href="https://hcommons.social/tags/dataviz" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>dataviz</span></a> <a href="https://hcommons.social/tags/netzwerkvisualisierung" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>netzwerkvisualisierung</span></a> <a href="https://hcommons.social/tags/digitalarthistory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>digitalarthistory</span></a> <a href="https://hcommons.social/tags/kunstgeschichte" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>kunstgeschichte</span></a></p>
Harald Klinke<p>Short Course: Watermarks &amp; Computational Art History<br>The Hague, Netherlands, 12–22 May 2025<br>Learn digital watermark analysis with Prof. Rick Johnson (Cornell) at RKD – Netherlands Institute for Art History.<br>Open to MA/PhD students, curators &amp; art historians working with paper-based art.<br>Apply by 31 March 2025: <a href="https://arthist.net/archive/44096" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="">arthist.net/archive/44096</span><span class="invisible"></span></a><br><a href="https://det.social/tags/ArtHistory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ArtHistory</span></a> <a href="https://det.social/tags/ComputationalArtHistory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ComputationalArtHistory</span></a> <a href="https://det.social/tags/Watermarks" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Watermarks</span></a> <a href="https://det.social/tags/DigitalHumanities" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>DigitalHumanities</span></a> <a href="https://det.social/tags/DigitalArtHistory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>DigitalArtHistory</span></a> <a href="https://det.social/tags/RKD" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>RKD</span></a> <a href="https://det.social/tags/Dhd2025" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Dhd2025</span></a></p>
Harald Klinke<p>PhD Scholarship in Digital Art History at the University of St Andrews. Fully funded for 3 years, open to Home/EU and international students. Research areas include AI, digital-born art, 3D modeling, and more. <br>Apply by April 21, 2025. Details: <a href="https://www.st-andrews.ac.uk/art-history/prospective/pgr/funding/#d.en.55930" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://www.</span><span class="ellipsis">st-andrews.ac.uk/art-history/p</span><span class="invisible">rospective/pgr/funding/#d.en.55930</span></a><br><a href="https://det.social/tags/DigitalArtHistory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>DigitalArtHistory</span></a> <a href="https://det.social/tags/PhDScholarship" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>PhDScholarship</span></a> <a href="https://det.social/tags/StAndrews" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>StAndrews</span></a> <a href="https://det.social/tags/ArtHistory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ArtHistory</span></a> <a href="https://det.social/tags/Funding" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Funding</span></a></p>
Harald Klinke<p>Also by her: <br>“Writing and Reading Digital Art History” by Ana Knežević examines the evolution of art history in the digital age, highlighting changes in media while arguing that core methodologies remain unchanged. It explores authorship, collective writing, and distant reading in digital projects. </p><p><a href="https://www.academia.edu/38335846/Writing_and_Reading_Digital_Art_History" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://www.</span><span class="ellipsis">academia.edu/38335846/Writing_</span><span class="invisible">and_Reading_Digital_Art_History</span></a></p><p><a href="https://det.social/tags/DigitalArtHistory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>DigitalArtHistory</span></a> <a href="https://det.social/tags/Cyberculture" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Cyberculture</span></a> <a href="https://det.social/tags/MediaStudies" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>MediaStudies</span></a></p>
Harald Klinke<p>📄 Just found: <br>"Art History Methodology in the Age of Cyberculture" explores the evolution of digital art history, distinguishing between digital and digitized methods. The study highlights how traditional methodologies adapt to new technological contexts without fundamentally changing. <br>By Ana Knežević<br><a href="https://www.academia.edu/37437403/Art_History_Methodology_in_The_Age_of_Cyberculture" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://www.</span><span class="ellipsis">academia.edu/37437403/Art_Hist</span><span class="invisible">ory_Methodology_in_The_Age_of_Cyberculture</span></a><br><a href="https://det.social/tags/DigitalArtHistory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>DigitalArtHistory</span></a> <a href="https://det.social/tags/Cyberculture" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Cyberculture</span></a> <a href="https://det.social/tags/ArtResearch" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ArtResearch</span></a></p>
Nullmuseum<p>Der Vorrat an Heften und Stickern im Fachgebiet Kunstgeschichte der Moderne an der TU Berlin, mit Material zu meinen Projekten mit Studierenden, ist wieder aufgefüllt wenn ihr euch noch was holen wollt.</p><p><a href="https://hcommons.social/tags/museum" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>museum</span></a> <a href="https://hcommons.social/tags/museologie" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>museologie</span></a> <a href="https://hcommons.social/tags/digitalarthistory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>digitalarthistory</span></a> <a href="https://hcommons.social/tags/digitalekunstgeschichte" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>digitalekunstgeschichte</span></a></p>
Nullmuseum<p>In my talk ‘Museum criticism for hackers’ at <a href="https://hcommons.social/tags/38C3" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>38C3</span></a>, I looked at the history of the online collection of the State Museums Berlin, talked about major turning points in digital collections and about a software called GOS developed by the museums in the 20th century.</p><p>The talk is an invitation to participate in the critical development, opening and reflection of digital collections, for example by supporting open knowledge networks such as <a href="https://hcommons.social/tags/Wikidata" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Wikidata</span></a></p><p>The talk was in German, but you can listen to the live translation to English and Portuguese. Links to all the versions, on the CCC server and on Youtube:</p><p>German:<br><a href="https://media.ccc.de/v/38c3-glam-zwischen-lod-und----museumskritik-fr-hacker-innen" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">media.ccc.de/v/38c3-glam-zwisc</span><span class="invisible">hen-lod-und----museumskritik-fr-hacker-innen</span></a></p><p><a href="https://www.youtube.com/watch?v=0XAZLV1DVKM" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://www.</span><span class="ellipsis">youtube.com/watch?v=0XAZLV1DVK</span><span class="invisible">M</span></a></p><p>English:<br>On the CCC server, same link as above, change language in the player (little settings wheel lower right)</p><p><a href="https://www.youtube.com/watch?v=PWYuXeRZ8do" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://www.</span><span class="ellipsis">youtube.com/watch?v=PWYuXeRZ8d</span><span class="invisible">o</span></a></p><p>Portuguese:<br>On the CCC server, same link as above, switch with wheel lower right</p><p><a href="https://www.youtube.com/watch?v=2CmYAk26wlo" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://www.</span><span class="ellipsis">youtube.com/watch?v=2CmYAk26wl</span><span class="invisible">o</span></a></p><p><a href="https://hcommons.social/tags/museum" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>museum</span></a> <a href="https://hcommons.social/tags/openglam" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>openglam</span></a> <a href="https://hcommons.social/tags/digamus" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>digamus</span></a> <a href="https://hcommons.social/tags/digitalarthistory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>digitalarthistory</span></a> <a href="https://hcommons.social/tags/digitalhumanities" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>digitalhumanities</span></a> <a href="https://hcommons.social/tags/museology" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>museology</span></a></p>
Nullmuseum<p>In meinem Vortrag "Museumskritik für Hacker*innen" beim <a href="https://hcommons.social/tags/38C3" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>38C3</span></a> schaue ich mir die Geschichte der online Sammlung der Staatlichen Museen Berlin an, erzähle von Umbrüchen und von einer im 20. Jahrhundert von den Museen entwickelten Software namens GOS.</p><p>Der Talk ist eine Einladung sich an der kritischen Weiterentwicklung, Öffnung und Reflexion von digitalen Sammlungen zu beteiligen, zum Beispiel durch die Unterstützung von offenen Wissensnetzwerken wie <a href="https://hcommons.social/tags/Wikidata" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Wikidata</span></a></p><p>Den Mitschnitt gibt es online:<br><a href="https://media.ccc.de/v/38c3-glam-zwischen-lod-und----museumskritik-fr-hacker-innen" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">media.ccc.de/v/38c3-glam-zwisc</span><span class="invisible">hen-lod-und----museumskritik-fr-hacker-innen</span></a></p><p><a href="https://hcommons.social/tags/museum" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>museum</span></a> <a href="https://hcommons.social/tags/museologie" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>museologie</span></a> <a href="https://hcommons.social/tags/digitalarthistory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>digitalarthistory</span></a> <a href="https://hcommons.social/tags/digitalhistory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>digitalhistory</span></a> <a href="https://hcommons.social/tags/digamus" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>digamus</span></a> <a href="https://hcommons.social/tags/museumdigital" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>museumdigital</span></a> <a href="https://hcommons.social/tags/linkedopendata" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>linkedopendata</span></a></p>
Nullmuseum<p>Museumskritik für Hacker*innen, Mitschnitt hier:</p><p><a href="https://media.ccc.de/v/38c3-glam-zwischen-lod-und----museumskritik-fr-hacker-innen" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">media.ccc.de/v/38c3-glam-zwisc</span><span class="invisible">hen-lod-und----museumskritik-fr-hacker-innen</span></a></p><p><a href="https://hcommons.social/tags/38c3" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>38c3</span></a> <a href="https://hcommons.social/tags/museum" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>museum</span></a> <a href="https://hcommons.social/tags/openglam" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>openglam</span></a> <a href="https://hcommons.social/tags/glam" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>glam</span></a> <a href="https://hcommons.social/tags/lod" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>lod</span></a> <a href="https://hcommons.social/tags/digamus" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>digamus</span></a> <a href="https://hcommons.social/tags/digitalhumanities" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>digitalhumanities</span></a> <a href="https://hcommons.social/tags/digitalarthistory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>digitalarthistory</span></a> <a href="https://hcommons.social/tags/kunstgeschichte" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>kunstgeschichte</span></a></p>
Harald Klinke<p>Quantitative Network Analysis in Investigating Global Processes of Contemporary Artistic Production by Júlia Perczel highlights how network analysis aids understanding the global art market. By integrating digital and critical theory approaches, it uncovers art market dynamics, institutional practices, and transformations in local art scenes. However, it also reveals the challenge of balancing institutional analysis with aesthetic considerations.</p><p><a href="https://det.social/tags/DigitalArtHistory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>DigitalArtHistory</span></a> <a href="https://det.social/tags/NetworkAnalysis" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>NetworkAnalysis</span></a></p>
Harald Klinke<p>Martina Bobinac’s study, A Discursive Analysis of 1950–1990 Articles on Croatia’s “Non-European” Ethnographic Collection, traces shifts in the portrayal of the “Other” in Croatian public and cultural spheres. Using Python-based natural language processing, the study analyzes 81 articles to observe a transition from colonial to anti-colonial discourse, aligned with Yugoslavia’s Non-Aligned Movement. <a href="https://hrcak.srce.hr/file/467634" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="">hrcak.srce.hr/file/467634</span><span class="invisible"></span></a> <a href="https://det.social/tags/DigitalArtHistory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>DigitalArtHistory</span></a> <a href="https://det.social/tags/PostcolonialStudies" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>PostcolonialStudies</span></a></p>
Harald Klinke<p>New issue: Journal of Modern and Contemporary Art and Architecture (Vol. 114, No. 1, 2024)<br>Articles include studies on art reproduction, modern architecture, digital art history, and semantic models: <a href="https://hrcak.srce.hr/broj/25098" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="">hrcak.srce.hr/broj/25098</span><span class="invisible"></span></a> <br><a href="https://det.social/tags/DigitalArtHistory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>DigitalArtHistory</span></a> <a href="https://det.social/tags/ModernArt" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ModernArt</span></a> <a href="https://det.social/tags/DigitalHumanities" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>DigitalHumanities</span></a></p>
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