I DIDN'T THINK THE #NarcissistInChief #EgomaniacInChief COULD GET any more #Delusional: 
#DementiaDon just compared his #First100Days to that of #FDR. He thinks he inherited a #GreatDepression.
FDR was elected in the midst of #TheGreatDepression. #NaziDon inherited 4.2% #unemployment and is CAUSING the next #Depression via his stupidity.
FDR got Congress to pass 100s of new reforms.
#DictatorDon is doing everything via #ExecutiveOrder. #100Days
https://www.washingtonpost.com/politics/2025/04/28/trump-fdr-100-days/
The Washington Post · Trump claims mantle of FDR’s first 100 days, but differences are stark
![The image is a black-and-white photograph depicting several individuals gathered in an urban setting. The group consists of men, with one standing prominently on the left side wearing a dark suit and hat, while two others are conversing closely at center stage; both also dressed formally but without hats. One man leans against a wooden plank, smoking or contemplating something, evidenced by his hand near his face in a thoughtful gesture.
Behind them is a street filled with pedestrians and vehicles indicative of an earlier era, likely mid-20th century based on the fashion styles and automobile design visible. Various storefronts line the sidewalk including signs for businesses like "HONEY LOAN" indicating financial services available at that time, as well as establishments such as cafes.
The architecture suggests a downtown area with multi-story buildings featuring commercial signage in bold lettering above their entrances. Some of these are illuminated by electric lights which were not common earlier than late 19th century or early 20th-century America. The photograph exudes an atmosphere reflective of urban life during the Great Depression era, capturing both social interaction and economic struggle within a bustling cityscape.
This image was taken in San Francisco, California according to provided information linked via alt text which also references "Salvation Army" indicating possible charitable or community invol [...]](https://mastodon.ozioso.online/system/media_attachments/files/114/391/328/318/542/657/original/f1e2a5e2d4c88284.jpeg "The image is a black-and-white photograph depicting several individuals gathered in an urban setting. The group consists of men, with one standing prominently on the left side wearing a dark suit and hat, while two others are conversing closely at center stage; both also dressed formally but without hats. One man leans against a wooden plank, smoking or contemplating something, evidenced by his hand near his face in a thoughtful gesture.
Behind them is a street filled with pedestrians and vehicles indicative of an earlier era, likely mid-20th century based on the fashion styles and automobile design visible. Various storefronts line the sidewalk including signs for businesses like \"HONEY LOAN\" indicating financial services available at that time, as well as establishments such as cafes.
The architecture suggests a downtown area with multi-story buildings featuring commercial signage in bold lettering above their entrances. Some of these are illuminated by electric lights which were not common earlier than late 19th century or early 20th-century America. The photograph exudes an atmosphere reflective of urban life during the Great Depression era, capturing both social interaction and economic struggle within a bustling cityscape.
This image was taken in San Francisco, California according to provided information linked via alt text which also references \"Salvation Army\" indicating possible charitable or community invol [...]")
![The photograph is a black and white image depicting two men seated on the ground, likely within an outdoor setting such as a camp. The man in the foreground wears a wide-brimmed hat with sunglasses atop it, indicating possible sun exposure or glare from sunlight. He dons casual attire consisting of layered shirts—denim over wool—and jeans, along with dark shoes showing signs of wear.
The seated men appear contemplative or possibly fatigued; their relaxed posture and downcast gazes suggest a momentary respite amidst daily laborious activities typical to migrant workers during the era. The setting's simplicity—the absence of luxury items—alongside their modest clothing points towards economic hardship, aligning with historical accounts of migratory work conditions.
The background is minimally detailed but includes what appears to be part of an awning or tent-like structure on right and a partial view of another individual in the far distance. The overall composition underscores themes prevalent during the Great Depression era concerning rural laborers' living circumstances, mobility, economic dependence, and social isolation within their transient community.
The image's historical context is further enriched by its accompanying information indicating that it was taken at "Migrant worker in camp" with a specified location of California—specifically identified as Yuma. The photograph captures the essence of migrant life d [...]](https://mastodon.ozioso.online/system/media_attachments/files/114/369/438/100/093/569/original/eb2160add1f9832c.jpeg "The photograph is a black and white image depicting two men seated on the ground, likely within an outdoor setting such as a camp. The man in the foreground wears a wide-brimmed hat with sunglasses atop it, indicating possible sun exposure or glare from sunlight. He dons casual attire consisting of layered shirts—denim over wool—and jeans, along with dark shoes showing signs of wear.
The seated men appear contemplative or possibly fatigued; their relaxed posture and downcast gazes suggest a momentary respite amidst daily laborious activities typical to migrant workers during the era. The setting's simplicity—the absence of luxury items—alongside their modest clothing points towards economic hardship, aligning with historical accounts of migratory work conditions.
The background is minimally detailed but includes what appears to be part of an awning or tent-like structure on right and a partial view of another individual in the far distance. The overall composition underscores themes prevalent during the Great Depression era concerning rural laborers' living circumstances, mobility, economic dependence, and social isolation within their transient community.
The image's historical context is further enriched by its accompanying information indicating that it was taken at \"Migrant worker in camp\" with a specified location of California—specifically identified as Yuma. The photograph captures the essence of migrant life d [...]")
![The black and white photograph depicts a migrant family standing outside their tent. There are four individuals visible: two adults, presumably the parents, and two children who appear to be their offspring. The adult woman on the left is wearing an apron over her clothes, suggesting she might have been engaged in domestic tasks or work that required protection for her clothing. She stands with a slightly hunched posture and looks away from the camera.
The middle child appears older of the two young girls; she wears a dress with puffed sleeves and has a hat on her head which seems to be indicative of cold weather, as it covers most of her ears and forehead. Her expression is contemplative or possibly resigned.
To the right stands another adult man dressed in darker clothing compared to his partner's attire. His stance is more upright than that of the woman standing beside him but not entirely straight; he has a relaxed posture with one arm resting on what appears to be a wooden box placed against their tent, and it gives off an impressionistic feeling.
The younger child next to this adult man looks directly into the camera with her hands clasped in front. She wears a dress that's less elaborate than her elder sister’s attire but seems functional for daily wear; she has on practical shoes suited more towards walking or farm work rather than formal events like church attendance, which would have been typical at that tim [...]](https://mastodon.ozioso.online/system/media_attachments/files/114/352/636/086/632/045/original/5b3805c722c8e4f6.jpeg "The black and white photograph depicts a migrant family standing outside their tent. There are four individuals visible: two adults, presumably the parents, and two children who appear to be their offspring. The adult woman on the left is wearing an apron over her clothes, suggesting she might have been engaged in domestic tasks or work that required protection for her clothing. She stands with a slightly hunched posture and looks away from the camera.
The middle child appears older of the two young girls; she wears a dress with puffed sleeves and has a hat on her head which seems to be indicative of cold weather, as it covers most of her ears and forehead. Her expression is contemplative or possibly resigned.
To the right stands another adult man dressed in darker clothing compared to his partner's attire. His stance is more upright than that of the woman standing beside him but not entirely straight; he has a relaxed posture with one arm resting on what appears to be a wooden box placed against their tent, and it gives off an impressionistic feeling.
The younger child next to this adult man looks directly into the camera with her hands clasped in front. She wears a dress that's less elaborate than her elder sister’s attire but seems functional for daily wear; she has on practical shoes suited more towards walking or farm work rather than formal events like church attendance, which would have been typical at that tim [...]")
![The image is a black and white photograph featuring an older man standing against a plain, light background. The subject appears to be middle-aged or elderly with graying hair styled in a slightly wavy manner that recedes at the temples. His eyebrows are thick and his expression is neutral but somewhat stern.
He wears a dark-colored tie loosely knotted around his neck, over an open collar white shirt. Over this outfit, he has on a light gray cardigan sweater, unbuttoned to reveal both his chest hair and part of his abdomen beneath the shirt. The man's posture suggests casualness as one hand appears in his pocket.
The image is labeled with text at the top right corner reading "MJ15 STARTIM A302" which might be a reference number or code related to its cataloguing, possibly by an organization like the Farm Security Administration (FSA) or Guggenheim Foundation. There's also handwritten notation on the negative border: “M1J 8697 - F2” and "A5." The latter likely indicates this photograph is part of a series with a specific identification number.
There are no visible distinctive features that would immediately identify him as Tom Collins, manager of Kern County migrant camp in California. However, the context provided suggests it may be related to his role or work within that capacity during Dorothea Lange's photography project documenting the lives and conditions of migratory workers on America’s western coast.
It is im [...]](https://mastodon.ozioso.online/system/media_attachments/files/114/339/844/732/573/912/original/409d44f478643e73.jpeg "The image is a black and white photograph featuring an older man standing against a plain, light background. The subject appears to be middle-aged or elderly with graying hair styled in a slightly wavy manner that recedes at the temples. His eyebrows are thick and his expression is neutral but somewhat stern.
He wears a dark-colored tie loosely knotted around his neck, over an open collar white shirt. Over this outfit, he has on a light gray cardigan sweater, unbuttoned to reveal both his chest hair and part of his abdomen beneath the shirt. The man's posture suggests casualness as one hand appears in his pocket.
The image is labeled with text at the top right corner reading \"MJ15 STARTIM A302\" which might be a reference number or code related to its cataloguing, possibly by an organization like the Farm Security Administration (FSA) or Guggenheim Foundation. There's also handwritten notation on the negative border: “M1J 8697 - F2” and \"A5.\" The latter likely indicates this photograph is part of a series with a specific identification number.
There are no visible distinctive features that would immediately identify him as Tom Collins, manager of Kern County migrant camp in California. However, the context provided suggests it may be related to his role or work within that capacity during Dorothea Lange's photography project documenting the lives and conditions of migratory workers on America’s western coast.
It is im [...]")
![The image is a black and white photograph depicting two men standing outdoors. The man on the left wears overalls, a long-sleeved shirt with rolled-up sleeves, a cap turned backward, and has his hands in pockets while holding an object near his mouth that appears to be a pipe or cigarette. His stance suggests relaxation.
The man on the right is dressed more formally than the first; he dons a jacket, pants, a hat, and shoes suitable for work. He stands with one hand partially raised as if gesturing or in mid-conversation, while holding what looks like rolled-up papers in his other hand.
Both men appear to be middle-aged adults. They are standing on an elevated ground surrounded by trees indicative of a forested area, which suggests they might be away from urban settings and possibly engaged in manual labor given their attire. The landscape is open with no immediate structures or buildings visible around them.
The photograph carries historical significance as it seems related to the non-farm migrants during the Great Depression era who moved westward seeking work opportunities in places like Oregon's Gilchrist lumber mill, as indicated by the caption provided and context clues within the image itself. The overall mood of the photo is solemn yet resilient, capturing a moment of pause amidst their journey or labor.
The photograph’s composition focuses on these two figures against the natural backdrop, highlighting human [...]](https://mastodon.ozioso.online/system/media_attachments/files/114/327/289/232/294/131/original/3c844f07beb3b800.jpeg "The image is a black and white photograph depicting two men standing outdoors. The man on the left wears overalls, a long-sleeved shirt with rolled-up sleeves, a cap turned backward, and has his hands in pockets while holding an object near his mouth that appears to be a pipe or cigarette. His stance suggests relaxation.
The man on the right is dressed more formally than the first; he dons a jacket, pants, a hat, and shoes suitable for work. He stands with one hand partially raised as if gesturing or in mid-conversation, while holding what looks like rolled-up papers in his other hand.
Both men appear to be middle-aged adults. They are standing on an elevated ground surrounded by trees indicative of a forested area, which suggests they might be away from urban settings and possibly engaged in manual labor given their attire. The landscape is open with no immediate structures or buildings visible around them.
The photograph carries historical significance as it seems related to the non-farm migrants during the Great Depression era who moved westward seeking work opportunities in places like Oregon's Gilchrist lumber mill, as indicated by the caption provided and context clues within the image itself. The overall mood of the photo is solemn yet resilient, capturing a moment of pause amidst their journey or labor.
The photograph’s composition focuses on these two figures against the natural backdrop, highlighting human [...]")
![The image is a black and white photograph of an elderly man sitting on the porch of a wooden house. He wears glasses, a wide-brimmed hat, a light-colored shirt with suspenders, and dark pants held up by belt loops. The man appears to be deep in thought or perhaps feeling contemplative as he rests his elbows against the railing of the porch and clasps his hands together.
The photograph is marked "Dorothea Lange" at the top right corner, indicating that it was taken by Dorothea Lange, a well-known photographer associated with the Farm Security Administration's (FSA) photography program during the Great Depression. The text above him reads "Farm owner near Memphis, Texas," which provides context for his identity and location.
Dorothea Lange is famous for her work documenting social issues such as poverty, immigration, rural communities, urban poverty, sharecropping, tenant farming, black communities in California, and Japanese American internment. This photograph captures a moment of reflection or concern from the perspective of someone who has been affected by economic hardship.
The image evokes a sense of nostalgia for simpler times while also highlighting social issues faced during that era. The man's attire suggests modesty and practicality, fitting his status as a farm owner near Memphis, Texas. His expression is serious but not entirely somber, indicating he may still hold onto optimism despite the challenges posed [...]](https://mastodon.ozioso.online/system/media_attachments/files/114/324/139/555/940/292/original/7400106ccf990db3.jpeg "The image is a black and white photograph of an elderly man sitting on the porch of a wooden house. He wears glasses, a wide-brimmed hat, a light-colored shirt with suspenders, and dark pants held up by belt loops. The man appears to be deep in thought or perhaps feeling contemplative as he rests his elbows against the railing of the porch and clasps his hands together.
The photograph is marked \"Dorothea Lange\" at the top right corner, indicating that it was taken by Dorothea Lange, a well-known photographer associated with the Farm Security Administration's (FSA) photography program during the Great Depression. The text above him reads \"Farm owner near Memphis, Texas,\" which provides context for his identity and location.
Dorothea Lange is famous for her work documenting social issues such as poverty, immigration, rural communities, urban poverty, sharecropping, tenant farming, black communities in California, and Japanese American internment. This photograph captures a moment of reflection or concern from the perspective of someone who has been affected by economic hardship.
The image evokes a sense of nostalgia for simpler times while also highlighting social issues faced during that era. The man's attire suggests modesty and practicality, fitting his status as a farm owner near Memphis, Texas. His expression is serious but not entirely somber, indicating he may still hold onto optimism despite the challenges posed [...]")
![The image is a black and white photograph featuring an elderly man who appears to be sitting on a structure, possibly a bench or fence. He wears a wide-brimmed hat that casts shadows over his eyes and forehead, suggesting it's a sunny day. His attire consists of a dark jacket with visible pockets and flaps, along with what looks like workoveralls underneath, which are loose-fitting trousers typically worn by manual laborers for protection during farmwork or other rugged activities.
His hands hold onto some kind of tool or implement; the object is not entirely clear but appears to be made of metal. The man has a weathered complexion and prominent lines on his face that suggest wisdom gained from years of experience, possibly related to farming given his appearance. His expression is contemplative yet gentle, with one hand resting in his lap.
The background is relatively nondescript, featuring an open sky which might indicate he's outdoors, likely on agricultural land or a farm setting. The absence of other people or objects makes the subject stand out as the focal point of this photograph. There are no discernible colors since it’s a black and white image; tones range from light to dark gray.
The photo bears an inscription at the bottom right corner which reads "12," potentially indicating its sequence in a larger collection, perhaps a series documenting different subjects or aspects related to rural life during that t [...]](https://mastodon.ozioso.online/system/media_attachments/files/114/307/860/629/259/083/original/fe4e497958f2796d.jpeg "The image is a black and white photograph featuring an elderly man who appears to be sitting on a structure, possibly a bench or fence. He wears a wide-brimmed hat that casts shadows over his eyes and forehead, suggesting it's a sunny day. His attire consists of a dark jacket with visible pockets and flaps, along with what looks like workoveralls underneath, which are loose-fitting trousers typically worn by manual laborers for protection during farmwork or other rugged activities.
His hands hold onto some kind of tool or implement; the object is not entirely clear but appears to be made of metal. The man has a weathered complexion and prominent lines on his face that suggest wisdom gained from years of experience, possibly related to farming given his appearance. His expression is contemplative yet gentle, with one hand resting in his lap.
The background is relatively nondescript, featuring an open sky which might indicate he's outdoors, likely on agricultural land or a farm setting. The absence of other people or objects makes the subject stand out as the focal point of this photograph. There are no discernible colors since it’s a black and white image; tones range from light to dark gray.
The photo bears an inscription at the bottom right corner which reads \"12,\" potentially indicating its sequence in a larger collection, perhaps a series documenting different subjects or aspects related to rural life during that t [...]")
![The image is a black and white photo, likely taken in the mid-1900s given its style. It shows an older woman with contemplative expression on her face as she rests her chin upon one hand. She appears to be sitting close to another person who's partly visible behind her. The setting seems casual or domestic, suggested by what looks like a checkered shirt the partially seen individual is wearing and perhaps household items in the background.
The photograph belongs to the Farm Security Administration - Office of War Information (FSA-OWI) Photograph Collection held at the Library of Congress. This collection often depicted everyday life during times such as wars or depressions, aiming for an authentic portrayal rather than romanticized one. It's a significant part of American social history photography and is known for its journalistic approach to capturing human conditions and environments.
Unfortunately, without more context about this particular image in the FSA-OWI collection, it would be difficult to ascertain who she might have been or what events may have led up to that moment captured by Dorothea Lange. Lange was a renowned photographer whose work often highlighted social issues like poverty and unemployment during the Great Depression.
Note: It's important to use accurate information when describing images, especially historical ones where context can greatly affect interpretation. As an AI developed by OpenAI, I [...]](https://mastodon.ozioso.online/system/media_attachments/files/114/291/581/215/454/668/original/3abdb1f2c2906641.jpeg "The image is a black and white photo, likely taken in the mid-1900s given its style. It shows an older woman with contemplative expression on her face as she rests her chin upon one hand. She appears to be sitting close to another person who's partly visible behind her. The setting seems casual or domestic, suggested by what looks like a checkered shirt the partially seen individual is wearing and perhaps household items in the background.
The photograph belongs to the Farm Security Administration - Office of War Information (FSA-OWI) Photograph Collection held at the Library of Congress. This collection often depicted everyday life during times such as wars or depressions, aiming for an authentic portrayal rather than romanticized one. It's a significant part of American social history photography and is known for its journalistic approach to capturing human conditions and environments.
Unfortunately, without more context about this particular image in the FSA-OWI collection, it would be difficult to ascertain who she might have been or what events may have led up to that moment captured by Dorothea Lange. Lange was a renowned photographer whose work often highlighted social issues like poverty and unemployment during the Great Depression.
Note: It's important to use accurate information when describing images, especially historical ones where context can greatly affect interpretation. As an AI developed by OpenAI, I [...]")
![The image depicts a historical document with the title "Migrant Mother and Children" prominently displayed at the top. It features a black-and-white photograph of a woman, presumably in her mid-thirties to forties, closely holding two children on her lap or shoulder. The setting appears to be indoors, possibly within a simple sheltered environment given its plain walls and lack of decorative elements.
Below the photograph is a list titled "Publications Which They Have Appeared," detailing various newspapers where this individual has been featured between 1935-37-38-39. The entries include publications such as "The New York Times" on July 2, 1936 and in January 1940, alongside others like the San Francisco News, Oakland Tribune, Los Angeles Examiner, and several others across different years.
On closer inspection of this list, it seems to capture a significant amount of media attention that was not uncommon during the Great Depression era. This document is likely part of historical records or archives related to Dorothea Lange's iconic photograph "Migrant Mother," which has become synonymous with chronicling the plight of America's agricultural workers and their families in those difficult years.
The image itself bears a faded, worn look consistent with age, suggesting that it may be an original print or part of a larger collection. The overall composition is designed to evoke empathy for the subject while highlighting [...]](https://mastodon.ozioso.online/system/media_attachments/files/114/244/108/301/743/984/original/ec7ea7e533eb2d03.jpeg "The image depicts a historical document with the title \"Migrant Mother and Children\" prominently displayed at the top. It features a black-and-white photograph of a woman, presumably in her mid-thirties to forties, closely holding two children on her lap or shoulder. The setting appears to be indoors, possibly within a simple sheltered environment given its plain walls and lack of decorative elements.
Below the photograph is a list titled \"Publications Which They Have Appeared,\" detailing various newspapers where this individual has been featured between 1935-37-38-39. The entries include publications such as \"The New York Times\" on July 2, 1936 and in January 1940, alongside others like the San Francisco News, Oakland Tribune, Los Angeles Examiner, and several others across different years.
On closer inspection of this list, it seems to capture a significant amount of media attention that was not uncommon during the Great Depression era. This document is likely part of historical records or archives related to Dorothea Lange's iconic photograph \"Migrant Mother,\" which has become synonymous with chronicling the plight of America's agricultural workers and their families in those difficult years.
The image itself bears a faded, worn look consistent with age, suggesting that it may be an original print or part of a larger collection. The overall composition is designed to evoke empathy for the subject while highlighting [...]")
![The image is a black and white photograph depicting a woman with disheveled hair, her expression solemn as she gazes off to the side. She appears contemplative or concerned, with her hand resting on her cheek in a gesture of concern or worry.
In front of her chest are two children; one slightly older child looks up at her over his shoulder while the younger child clings tightly to her shirt for comfort and security. The clothing worn by all three individuals is rough-hewn and suggests poverty, with visible patches, dirt stains, and tatters on their clothes indicating hardship.
The setting appears humble and indistinct but seems to be outdoors or in a sheltered area made of simple materials. In the background, another person can be partially seen, suggesting that this might be part of a larger group living situation. The overall tone is one of struggle and resilience against adversity as exemplified by the subjects captured in this poignant snapshot.
Additional information about this image indicates it was taken during the Great Depression era in California when many families faced severe economic hardships due to crop failures or droughts, leading them into poverty with little access to basic necessities. The photograph aims to bring attention to these issues through capturing a moment of human vulnerability and determination among impoverished mothers like the one featured here.
The image serves as an important hist [...]](https://mastodon.ozioso.online/system/media_attachments/files/114/240/097/493/484/559/original/6da39be1cea9fabf.jpeg "The image is a black and white photograph depicting a woman with disheveled hair, her expression solemn as she gazes off to the side. She appears contemplative or concerned, with her hand resting on her cheek in a gesture of concern or worry.
In front of her chest are two children; one slightly older child looks up at her over his shoulder while the younger child clings tightly to her shirt for comfort and security. The clothing worn by all three individuals is rough-hewn and suggests poverty, with visible patches, dirt stains, and tatters on their clothes indicating hardship.
The setting appears humble and indistinct but seems to be outdoors or in a sheltered area made of simple materials. In the background, another person can be partially seen, suggesting that this might be part of a larger group living situation. The overall tone is one of struggle and resilience against adversity as exemplified by the subjects captured in this poignant snapshot.
Additional information about this image indicates it was taken during the Great Depression era in California when many families faced severe economic hardships due to crop failures or droughts, leading them into poverty with little access to basic necessities. The photograph aims to bring attention to these issues through capturing a moment of human vulnerability and determination among impoverished mothers like the one featured here.
The image serves as an important hist [...]")
![This black and white photograph depicts a rural scene from the early 20th century, specifically in California during a time of high population mobility. It shows what appears to be temporary living quarters for migrants or itinerant laborers. There are several small wooden structures with simple construction: one main building with sloping shingled roof and an attached shed-like structure on its left side; another smaller outbuilding is situated further back.
In the foreground, a field of dry earth indicates arid conditions typical of certain regions in California during that era. The ground appears cracked and barren, suggesting lack of sufficient water or drought conditions which were common at times throughout the state's history due to climate variability.
Various objects are scattered around the area: barrels possibly used for storage; metal cans indicating some sort of domestic activity or waste disposal; a large container with an unknown contents next to it. Also notable is what seems like a makeshift fence made from poles and wire, likely serving as boundary demarcation.
The sky overhead is overcast without any visible sun, which may contribute to the desolate atmosphere captured in this photo. There's also writing on the bottom right of the image that provides context about where these "migrant homes" were located—on people's farms—and includes a note mentioning Dorothea Lange who was known for her work with [...]](https://mastodon.ozioso.online/system/media_attachments/files/114/222/166/884/396/884/original/588eb79cc71d6887.jpeg "This black and white photograph depicts a rural scene from the early 20th century, specifically in California during a time of high population mobility. It shows what appears to be temporary living quarters for migrants or itinerant laborers. There are several small wooden structures with simple construction: one main building with sloping shingled roof and an attached shed-like structure on its left side; another smaller outbuilding is situated further back.
In the foreground, a field of dry earth indicates arid conditions typical of certain regions in California during that era. The ground appears cracked and barren, suggesting lack of sufficient water or drought conditions which were common at times throughout the state's history due to climate variability.
Various objects are scattered around the area: barrels possibly used for storage; metal cans indicating some sort of domestic activity or waste disposal; a large container with an unknown contents next to it. Also notable is what seems like a makeshift fence made from poles and wire, likely serving as boundary demarcation.
The sky overhead is overcast without any visible sun, which may contribute to the desolate atmosphere captured in this photo. There's also writing on the bottom right of the image that provides context about where these \"migrant homes\" were located—on people's farms—and includes a note mentioning Dorothea Lange who was known for her work with [...]")