joostruis<p>Very cool insight in <a href="https://mastodon.social/tags/ASML" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>ASML</span></a> in the <a href="https://mastodon.social/tags/Netherlands" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Netherlands</span></a> <br>25 years ago I worked there as a mechanic building the factory.<br><a href="https://www.youtube.com/watch?v=1JkzrR-hznE" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">https://www.</span><span class="">youtube.com/watch?v=1JkzrR-hznE</span><span class="invisible"></span></a></p><p><a href="https://mastodon.social/tags/ASML" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>ASML</span></a> <a href="https://mastodon.social/tags/Lithography" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Lithography</span></a> <a href="https://mastodon.social/tags/technology" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>technology</span></a></p>
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#lithography
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Atelier l'Agayon<p>Berga, de retour à l'Atelier du jeudi , prépare sa nouvelle pierre en la mordant avec de la gomme arabique et un chouwa d'acide nitrique.</p><p>Berga is comming back at theWednesday's Litho Workshop at Studio Atelier l'Agayon!<br>First acidification with arabic gum and nitric acid.</p><p><a href="https://mastodon.social/tags/lithographie" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>lithographie</span></a><br><a href="https://mastodon.social/tags/stonelithography" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>stonelithography</span></a><br><a href="https://mastodon.social/tags/lithography" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>lithography</span></a> <br><a href="https://mastodon.social/tags/imageimprim%C3%A9e" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>imageimprimée</span></a><br><a href="https://mastodon.social/tags/printmaking" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>printmaking</span></a><br><a href="https://mastodon.social/tags/dessin" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>dessin</span></a><br><a href="https://mastodon.social/tags/drawing" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>drawing</span></a><br><a href="https://mastodon.social/tags/parlonsgravure" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>parlonsgravure</span></a></p>
Benjamin Carr, Ph.D. 👨🏻💻🧬<p><a href="https://hachyderm.io/tags/ASML" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>ASML</span></a> (Advanced <a href="https://hachyderm.io/tags/Semiconductor" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Semiconductor</span></a> Materials <a href="https://hachyderm.io/tags/Lithography" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Lithography</span></a>) recalls its humble origins in a ‘leaky shed’ in Eindhoven, circa 1984 — it now makes the most cutting-edge chipmaking tools on the planet<br>It now employs 44,000 people and raked in nearly $31B last year. <br><a href="https://www.tomshardware.com/tech-industry/semiconductors/asml-recalls-its-humble-origins-in-a-leaky-shed-in-eindhoven-circa-1984-it-now-makes-the-most-cutting-edge-chipmaking-tools-on-the-planet" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">https://www.</span><span class="ellipsis">tomshardware.com/tech-industry</span><span class="invisible">/semiconductors/asml-recalls-its-humble-origins-in-a-leaky-shed-in-eindhoven-circa-1984-it-now-makes-the-most-cutting-edge-chipmaking-tools-on-the-planet</span></a></p>
Till Grallert<p>This is a first: فروق was an Ottoman newspaper published in Athens in 1911. But apparently they didn’t have access to movable-type and lithographed a handwritten paper using a printed template to print into. </p><p>Facsimiles are available from HTU at <a href="http://www.tufs.ac.jp/common/fs/asw/tur/htu/data/HTU0661/index.djvu" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">http://www.</span><span class="ellipsis">tufs.ac.jp/common/fs/asw/tur/h</span><span class="invisible">tu/data/HTU0661/index.djvu</span></a></p><p><a href="https://digitalcourage.social/tags/OttomanEmpire" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>OttomanEmpire</span></a> <a href="https://digitalcourage.social/tags/Greece" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Greece</span></a> <a href="https://digitalcourage.social/tags/PeriodicalStudies" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>PeriodicalStudies</span></a> <a href="https://digitalcourage.social/tags/Printing" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Printing</span></a> <a href="https://digitalcourage.social/tags/lithography" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>lithography</span></a></p>
blackheartpress<p>My press in 2018, before the move to Sweden. Time flies<br><a href="https://mastodon.social/tags/printmaking" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>printmaking</span></a> <a href="https://mastodon.social/tags/lithography" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>lithography</span></a> <a href="https://mastodon.social/tags/litho" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>litho</span></a> <a href="https://mastodon.social/tags/schnellpresse" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>schnellpresse</span></a> <a href="https://mastodon.social/tags/steindruck" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>steindruck</span></a></p>
Timo Ollech<p>A brief history of IC <a href="https://social.anoxinon.de/tags/lithography" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>lithography</span></a>:</p><p><a href="https://asiatimes.com/2024/09/chinas-lithography-gains-a-glass-half-full-not-half-empty/" rel="nofollow noopener" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">asiatimes.com/2024/09/chinas-l</span><span class="invisible">ithography-gains-a-glass-half-full-not-half-empty/</span></a></p><p><a href="https://social.anoxinon.de/tags/Canon" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Canon</span></a> <a href="https://social.anoxinon.de/tags/Nikon" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>Nikon</span></a> <a href="https://social.anoxinon.de/tags/ASML" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>ASML</span></a> <a href="https://social.anoxinon.de/tags/SMEE" class="mention hashtag" rel="nofollow noopener" target="_blank">#<span>SMEE</span></a></p>
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